The Best Albums of 2012: A List

Greetings all who are reading this.
The musical year that was 2012 has come to a close, and what a year it was. One of the better years of albums for sure, both underground and mainstream. I wonder if the supposed 2012 Apocalypse was the reason for this?

I have compiled 13 of my favourites for you in this list. Some of these may not necessarily be the best albums of the year, but they are the ones I enjoyed listening to the most. If I am missing anything, let me know in the comments section.

Onto the list;

13. The Smashing Pumpkins- Oceania

After more than a decade of mediocre material, and a few years of alienating a large chunk of his fanbase with a large chunk of his actions (replacing every band member, general douchiness), Billy corgan and his band put out their best album since Mellon Collie and the Infinite Sadness. I love the use of keyboards throughout the album, and the songs actually feel like Smashing Pumpkins songs, and not “Billy Corgan punishing you for being a Smashing Pumpkins fan.”  Key Tracks: Quasar, The Celestials, Pale Horse

12. John K. Samson- Provincial

 

Samson is brilliant, and I did enjoy his first full-length solo album quite a bit. It plays to his strengths and sounds like a collection of Weakerthans B-Sides, however, half of the songs I’ve heard already on his two solo EPs, and some of the arrangements on this album I wasn’t a fan of (Stop Error). However, it is very strong lyrically and definitely worth a listen in that regard.
Key Tracks: Heart of the Continent, When I Write My Master’s Thesis, Letter In Icelandic From The Ninette San.

11. Alabama Shakes - Boys and Girls


 


A debut album which quickly establishes The Shakes as a rock force to be reckoned with. It has actually managed to make its way onto several major rock stations, which is always good to see, and proves rock radio can be open to new things. The album is solid, no-frills, southern rock with a soulful edge, and I want to hear more from them. 
 Key Tracks: Hold On, I Found You, Hang Loose.

 
10. Bruce Springsteen - Wrecking Ball

It’s an album sympathizing with the struggles of the working man, sung by a multi-millionaire rock star! All kidding aside, Bruce is consistently good, and he’s sounds motivated and passionate while singing about economic inequality, the financial crisis, the struggles of the middle class, and the hope the crisis will eventually be over. mixing genres as diverse as folk (We Are Alive), Celtic (Death to my Hometown), arena rock (title track) and even hip-hop (the end of Rocky Ground), it's probably Bruce's most ambitious album to date, in addition to being his most timely album since The Rising.Wrecking Ball is also his last album to feature the late Clarence Clemons, and his saxophone adds a presence to the two songs he is featured on. A great way for The Big Man to be remembered.

Key Tracks: We Take Care Of Our Own, Death to My Hometown, Wrecking Ball, Land of Hope and Dreams

9. Titus Andronicus- Local Business



 


In 2010, Titus Andronicus put out my favourite album of 2010 (The Monitor), a sprawling, ambitious album with a Civil War theme. Their third album, Local Business, is less ambitious than The Monitor, but it isn’t a bad album in any stretch. It’s actually quite enjoyable. Taking more influence from their debut “The Airing of Grievances,” Titus Andronicus powers through a compact album, ten songs of easily digestible “Heartland punk” for the cynical and jaded among us. I also love the fact that despite being compact, they still managed to throw in two songs longer than eight minutes like their previous album. A good album, just adjust your expectations.
Key Tracks: Ecce Homo, Still Life with Hot Deuce on Silver Platter, In A Big City, Tried to Quit Smoking.  

8. The Heavy - The Glorious Dead



 


I see this album as a counterpoint to Japandroids. Both are tremendous rock albums that went unnoticed by the mainstream, but both rock in different ways. While Japandroids are fast, furious and in your face, The Heavy is a more soulful band, taking influence from early British Invasion bands, mainly The Animals, and 1970’s soul. Listen to the horns on the album, and tell me you don’t agree. An album you want to nod along to in your headphones, and one you’ll want to turn up in your car.
Key Tracks: Can’t Play Dead, What Makes A Good Man?, Same Ol’, Blood Dirt Love Stop.
7. Kendrick Lamar - good kid, M.A.A.D. City



 


I’m not a huge fan of modern day hip-hop (prefer old school stuff like Tribe Called Quest), but Lamar’s album was recommended to me by a friend. I’m happy for the recommendation. Lamar raps throughout the album about life in Compton, the trials and tribulations he can face in the span of a single day in a dangerous neighbourhood. The album is described by Lamar as a “film,” and you have to listen to it straight through to appreciate it. His production is solid, his rhymes and flow are impeccable, and this is probably the first hip-hop album where the skits have a purpose for the album, rather than just a space-filler. Highly recommended.


Key Tracks: Sherane a.k.a Master Splinter’s Daughter , Backseat Freestyle, Swimming Pools, Sing About Me, I’m Dying of Thirst.
 
6. Grizzly Bear - Shields
 

 

 
I think this album should end the argument that hipster bands do not know how to rock. On their fourth album, the New York art-rockers lead listeners through a series of carefully constructed, layered tracks which grab the listener and take them on a journey, getting them lost in the melody. I get a strong Radiohead vibe from several points in the album (a few songs would’ve fit in on In Rainbows or OK Computer), and the guitar work is some of the best I’ve heard this year.  Key Tracks: Sleeping Ute, Yet Again, The Hunt, Gun Shy

5. Corb Lund - Cabin Fever





Lund’s seventh album, though only his second released through a U.S. label, this finds him going through some darker territory than the preceding Losin’ Lately Gambler, which is set up through the first two tracks, the survivalist anthem “Getting’ Down on the Mountain” and the stomp along “Dig Gravedigger Dig.” Even his lighter songs have a bit of a sarcastic edge to them and deal with more black humour. Musically, Lund’s style of country leans more to the alternative side, taking influence from roots rock, 1950’s honky-tonk and rockabilly at several points.  This would be a country album I would recommend to people who aren’t into country, to show them that there’s more to the genre than the Nashville establishment.
Key Tracks: Getting’ Down on the Mountain, Mein Deutchse Motterad, The Gothest Girl I Can, Pour ‘em Kinda Strong.

4. Bob Dylan - Tempest



 

2012 was also the year I fully made the leap into becoming a Bob Dylan fan, after only dabbling in him over the years. The man has hit a creative streak since 1997’s Time Out of Mind, and though not everything has been great (Together Through Life), more often than not, you’re going to get an interesting listening experience with a few standout tracks. Tempest continues the trend of Dylan’s recent albums being inspired by early rock and roll, folk and blues traditions, and lyrically, he has darkness on his mind and his rasp only accentuates it (Listen to Pay in Blood or Early Roman Kings and you know what I mean). This could very easily be Dylan’s last album, and if so, it’s a strong way to close his career.

Key Tracks: Duquesne Whistle, Soon After Midnight, Pay in Blood, Roll on John

3. Frank Ocean - Channel Orange



 
Easily one of the most talked about albums this year for a variety of reasons. Before its release, Ocean released a letter, revealing a not-straight sexuality (he never came out, but he revealed his first love was a male), practically unheard of for a hip-hop/R&B artist. In addition, he moved up the release a week to prevent leaks. Channel Orange was released to widespread critical acclaim and has been recognized with multiple Grammy nominations and it’s very likely Ocean could sweep this year. It’s easy to see why. Ocean plays with the R&B and Soul genres throughout the album, blending and twisting them to his own vision. His songs about love, heartache and decadence speak to a wide- range of people, and is easily best listened to at night in order to properly absorb the themes. If Ocean can keep up his ambition through his next album, the sky’s the limit for him
Key Tracks: Thinkin’ Bout You, Super Rich Kids, Pyramids, Bad Religion.
 
2. Japandroids - Celebration Rock

It’s fast. It’s loud. It’s triumphant. It makes a statement. It grabs a hold of you from the first notes. It’s full of life. It’s a call to arms. It’s amazing. Rock music may be experiencing dark days, but this Vancouver duo proves it will never die or go out of style. Among its reverb soaked eight tracks, Japandroids build upon their 2009 debut Post-Nothing and make listeners want to crank their stereos up to 11 and truly enjoy this. This album will reaffirm your faith in what pure, unadulterated, rock music can do.
Key Tracks: Nights of Wine and Roses, Adrenaline Nightshift, The House That Heaven Built, Continuous Thunder.
 
1. Jack White - Blunderbuss
 

 
Jack White has been around music since the White Stripes stopped making music in 2007. But, despite putting out decent material with the Raconteurs and The Dead Weather, he never truly seemed to be engaged with he was writing and performing. However, with his first solo album, White cuts loose, truly showing why he was a musical force to be reckoned with in the 2000’s. The trademarks of The White Stripes are still there (fuzzed out guitar, raw though polished sound), but the album also allows him to continue to experiment with the musical ideas he has in his head (country touches, piano, etc.).Everything about this album just works on every level, and the backing band he has assembled is probably the best he’s been involved with. I still find myself lost in the grooves of this album months after its release, so it’s my pick of the year.
 
Key Tracks: Sixteen Saltines, Love Interruption, I’m Shakin’, Hip (Eponymous) Poor Boy.